Tchaikovsky's Swan Lake remains a ballet favorite and a powerful star vehicle for the prima ballerina who must dance the roles of two characters- the "white swan" Odette and the black swan Odile, good and evil. Swan Lake has been recorded many times by celebrated conductors and their orchestras - Eugene Ormandy and the Philadelphia Orchestra (here it's Wolfgang Sawallisch and the same orchestra from an earlier period) Canadian Charles Dutroit and the Montreal forces, Seiji Ozawa, Andre Previn and the London Symphony Orchestra, Richard Bonynge better known for his operatic vehicles with his wife Joan Sutherland, Antal Dorati and his orchestra, and even Herbert Von Karajan joined the band wagon of conducting great ballets- he conducted the complete Giselle and a concert suite of Tchaikovsky's Swan Lake, Sleeping Beauty and Nutcracker. Wolfgang Sawallisch was a brilliant conductor, and unfortunately like so many conductors in Karajan's time, he was underappreciated. This Swan Lake is beautifully restored and sounds fresh, powerful and lyrical. The music for Swan Lake has symphonic qualities, with a contrast of serene and jovial dances and melancholy and even fatalistic themes. The Dance of the Little Swans is bouncy and cheery, the violin solos for Odette's solo dances are almost mournful (she's mourning her swan condition/curse) and the Swan Theme is powerful and stormy, borrowed from the last notes to a Wagner's Lohengrin prelude. For these reasons critics did not initially warm up to the "heavy" music of Swan Lake. But eventually it became the most beautiful of the "ballet-blancs" ever made. Other "white tutu" ballets include Giselle (Act 2 the Willis) and La Bayadere (Act 2 The Land of Shades). The music is to die for in this recording and I highly recommend it. --Rudy Avila "Saint Seiya" Read more.
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