14.3.09

Mozart: Horn Concerto No.1-4


As a music teacher and hornist who has performed all of the Mozart horn concertos at one time or another, I am probably more picky about recordings of these works than anything else. Everyone always upholds the Dennis Brain recordings as the best, and rightly so. Brain was the all-time master of the horn, period. The problem is that he died young and his Mozart recordings were made in the 1950s. Yes, the CD has been remastered and sounds quite good, but there's only so much a producer can do.
That's why one recording of these masterpieces simply will not do.
This CD by Barry Tuckwell most assuredly needs to be the "other" recording one has in their collection. Tuckwell with his gorgeous tone, fantastic range, and excellent lip trills is easily the best hornist in the past few decades. He plays each concerto with spirit and aggression in contrast to Brain's more controlled and leisurely interpretation. His cadenzas are more modern and showy yet maintain classical style and taste. The ASMF provides perfect, well-balanced accompaniment with, interestingly enough, a harpsicord playing basso continuo underneath the orchestra (a feature that may or may not have been used when Mozart first debuted these concertos).
Finally, the original recordings are modern enough that when digitally remastered, they sound clear as a bell. So yes, buy the Brain recording, he is the best hornist of all time. But this recording by Tuckwell is marvellous and should be immediately added to one's collection. Both recordings are correct, both are beautiful, but both are different. Therefore, both are needed. Buy it now.

Concerto For Horn & Orchestra No.4 In E Flat Major, K.495 - Wolfgang Amadeus Mozart (1756-1791)


Mozart wrote four concertos for horn and all were dedicates to Leitgeb, who remained a friend of Mozart until his death. Leitgeb's name appears in Mozart's last letter.

As a leading orchestra horn player, Leitgeb asked Mozart to write concertos for him from time to time, and succeeded in persuading him to write four pieces over Mozart's last 10 years.

All these concertos are similar in nature, indicating that Mozart was well versed in Leitgeb's taste.

"Concerto for horn & Orchestra No.4" may be inferior to No.3 in terms of the strong characteristic of the theme and compositional structure which is very appealing in No.3, like the piano concertos, but it is nonetheless an excellent piece, showing the spontaneous skill of Mozart in his mature period. In addition, Concerto No.4 requires a fairly elaborate technique for horn, considering the time in which it was written, by adopting a chromatic playing of rendition.

11.3.09

Bach, Vivaldi, Marcello: Concerti Italiani


"Concept" discs get a bad name, but here's one that works. Alessandrini has come up with the idea of recording the original Venetian concertos that served as the basis for well-known adaptations by Bach. An added twist is his orchestration of Bach's original piece for harpsichord, the Italian Concerto, in the style of the Italian masters whose works served as Bach's models. Alessandrini also supplies the missing violin solo part for Benedetto Marcello's Concerto on this disc. It all comes off so well because the works here are wonderful examples of their genre and because of the marvelous playing of the expert period instrument group, Concerto Italiano, whose playing here is beyond praise. Highlights abound: the surprising staccato movements of the Marcello Violin Concerto, the exquisite playing of oboe soloist Andrea Mion in brother Alessandro Marcello's Oboe Concerto, the zippy Vivaldi Op. 3 No. 11 Concerto for four violins, and the fantasy-filled version of Vivaldi's "La Notte" Flute Concerto among them. A disc full of endless delights. --Dan Davis Buy it now.

Five Italian Oboe Concertos


The concerto for oboe is regaining popularity and use, and this resurrgence is aided by this fine collection by Oboeist/Director Nicholas Daniel and the Peterborough String Orchestra.
All the pieces of this concerto collection are well-done, flowing and lyrical with great balance between the strings the oboe solos.

Especially appealing to my ear is the Siciliana of Cimarosa's concerto as well as Bellini's Concerto.
Crystal clear recording for a great bargain price! Well worth checking out. --rodboomboom Buy it now.

Desire: Music For Romance


This is a fine collection of beautiful, romantic melodies! They have depth and eloquence and are performed in a style that sounds baroque to me. It is not your 'average', straight-forward classical CD set...NO. This set is special, perfect to give as a gift for an anniversary, a birthday, a wedding, or for a dinner date. It is highly-recommended. I'm hooked! It's better than most straight-forward, classical CDs out there. I have purchased a few, but can truly say that I just keep coming back to this set! It draws you in and is perfect while driving, reading, lounging around, on a rainy day, at work, and to get you to sleep! This set just gets harder to find since it is truly THAT good! I think you'll love it for hours of listening enjoyment. I'm surprised no one prior has given a review of this wonderful set. You won't regret it! --R.Uziel Buy it now.

Concerto For Oboe And Strings In C Minor - Alessandro Marcello


Venice, once a leading trade centre of the Mediterranean Sea, was also a musical centre. Operatic activities were particularly advanced there, with the dawning of the Reneissance. In the 18th century, it was in Venice that the baroque ensemble represented by Vivaldi's instrumental pieces reached its zenith. Albinoni and the Marcello brothers were also among the most prominent Venecian musicians in this period. "Concerto for Oboe and strings in C minor" was written by older Marcello, Alessandro.

The piece was used in an Italian film, "Love in Venice," directed by Enrico Maria Salerno in 1970, during the sequence where the protagonist, an oboe player, suffering from an incurable disease, made perhaps his last recording for a radio broadcast. This took place in Venice, a city full of tender memories for him, a man who had to part with his loving wife against his will.

Tis is one of the many classical masterpieces which became popular when used in films.

The Best Swan Lake On CD.


I have owned several CD recordings of Tchaikovsky's Swan Lake and this most recent purchase is the best I have heard. I have many recordings of Andre Previn, both as a pianist and a conductor. Andre Previn has never let me down. He has a natural feel for everything I have heard him perform. Previn presents Swan Lake totally complete as Tchaikovsky originally composed it, including the two additional numbers in Act III which were added after the 1st performance. The tempos in each number are ideal and the ADD sound is excellent, considering the recording originates from 1976. I would recommend this version highly over the horribly conducted Bonynge. Better is the Sawallisch but I found the 1994 recording too laid back. Bottom Line: Get this recording for its completeness, conducting, and price! --M Dubin See more