What a shame that George Gershwin died at such a young age. In his twenties, he wrote RHAPSODY IN BLUE, a perfect blend of jazz and classical music. In his thirties, who wrote PORGY AND BESS, something between an opera and a musical. If he had lived into his forties, who knows? He may have further helped Western Music to reconcile the differences between popular music and "art" music!
Arthur Fiedler, the Boston Pops, and the piano soloists are a perfect match for this music, some of Gershwin's finest. They all infuse an energy, a grace, and a playfulness that give the music such exuberance. In my opinion, the best tracks are RHAPSODY IN BLUE, which rhythmically rocks and sonorously sparkles under Fiedler's baton, and "The Man I Love," which shows that a tune can be a torch song even without a singer.
All the other tracks are fabulous as well, although it is disappointing that the first movement of the CONCERTO IN F is missing. Some people find the honking horns in AN AMERICAN IN PARIS a little bit annoying.
When I'm feeling tired or sad, playing this CD is a sure-fire way to lift my spirits!--burghtenor Shop here
Arthur Fiedler, the Boston Pops, and the piano soloists are a perfect match for this music, some of Gershwin's finest. They all infuse an energy, a grace, and a playfulness that give the music such exuberance. In my opinion, the best tracks are RHAPSODY IN BLUE, which rhythmically rocks and sonorously sparkles under Fiedler's baton, and "The Man I Love," which shows that a tune can be a torch song even without a singer.
All the other tracks are fabulous as well, although it is disappointing that the first movement of the CONCERTO IN F is missing. Some people find the honking horns in AN AMERICAN IN PARIS a little bit annoying.
When I'm feeling tired or sad, playing this CD is a sure-fire way to lift my spirits!--burghtenor Shop here
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